SPECIFIKA REDAKCIJ «MOSKOVSKOJ POVESTI O POHODE IVANA III VASIL’EVICHA NA NOVGOROD»
The article examines “The Moscow tale of the Novgorod campaign of Ivan III”, which locates in many chronicles of the XV–XVI centuries. The author analyzes the ideological and artistic peculiarities of the editions of this text.
Key words: “The Moscow tale of the Novgorod campaign of Ivan III”, the Novgorod campaign of Ivan III in 1471, chronicles of the XV–XVI centuries.
KOSINSKAYA REDAKCIYA ZHITIYA MOISEYA, ARHIEPISKOPA NOVGORODSKOGO
The article is devoted to the study of the new redaction of “Life of St. Moses, the archbishop of Novgorod”, written by Boris Kozynin. The paper investigates the sources of the text and describes the narrative techniques used by the author.
Key words: hagiography, textual criticism, Boris Kozynin, “Life of St. Moses, the archbishop of Novgorod”, Novgorod the Great of the Middle Ages.
MIHAIL LYUSTROV, ANDREJ LYUSTROV
SEVERNYE PETIMETRY, ILI POZVOLITELNO LI VOSPITANNOMU YUNOSHE POSESHCHAT’ PARIZH?
This article focuses on Russian and Scandinavian comedies of the XVIII century, which tell us about a young man who has returned home from Paris. The article presents a comparative analysis of Russian and Swedish play reworks of L. de Boissy “Le Francois b Londres”.
Key words: L. Holberg, L. Boissy, D. Fonvizin, C. Gyllenborg, Russian literature of the XVIII century, Swedish literature of the XVIII century, Danish literature of the XVIII century.
K ISTORII ZAMYSLA I TEKSTA PUSHKINSKIH «BESOV»
The article suggests some additional notes to the textological and literary commentary to the famous poem by Alexander Pushkin. Revising the rough drafts of “The Demons” in Pushkin’s working notebooks, the author proposes to revise their relative and absolute dating in order to liquidate chronological and logical contradictions in the history of the text. Moreover, the author introduces a previously unnoticed source for some descriptions in “The Demons” — a satirical poem “The Vision on the banks of the Lethe” (1809) by K. Batyushkov, which both contributes to the Arzamas subtext of “The Demons” and emphasizes the principles of the late Pushkin’s poetics considering the work with a “foreign word”.
Key words: A. Pushkin, “The Demons”, textological commentary, text history, K. Batyushkov, parody.
VOLF ERLIH I NIKOLAJ IL’IN (NILLI): VAKHANTY I IVANOVSKIJ PODTEKST
The article analyzes the history of a cycle of poems by Wolf Ehrlich, which he devoted to his friend, poet N. Ilyin (Nilli). Ehrlich’s poems are investigated in the context of his biography, and also on the background of the theory of Vyach. Ivanov about Dionysus and “dionisiystvo” which has been influenced Ehrlich. These poems are published for the first time (see supplement).
Key words: Wolf Ehrlich, Nikolay Ilyin, Nilli, Vyach. Ivanov, vakhkhant, wine, almonds, Dionysus.
KONSTANTIN VAGINOV V LENINGRADSKOM SOYUZE POETOV
This paper is devoted to the participation of K. K. Vaginov in the Leningrad branch of the Russian Union of poets, the largest organization of writers in Leningrad in 1920. Conclusions about the involvement of Vaginov in the Union and the position of Union in literary process of that time based on the study of archival materials.
Key words: Vaginov, Leningrad Union of poets, the 1920th literature, sociology of literature
RASSKAZ S. D. KRZHIZHANOVSKOGO «KVADRATURIN»: K VOPROSU O «KOMMUNAL'NOM TEKSTE» RUSSKOJ LITERATURY
The article is devoted to Krzhizhanovsky’s short story “Kvadraturin”, which can be interpreted relying on two similar theories such as Foucault’s concept of heterotopia and Toporov’s idea of extratext. On the one hand, this methodological synthesis allows a functional determination of intertextual relations in the story. On the other hand, it may help to reveal a plenty of specific features inside the text, inscribing it in the literary tradition.
Key words: S. D. Krzhizhanovsky, space, heterotopia, communal apartment text, Petersburg text.
«RASSEYANNAYA» PAMYAT’ V PROZE V. S. VARSHAVSKOGO 1920–1930-h GODOV
The article deals with the specifics of recollection in the prose by V. S. Varshavskii, one of the younger emigre writers. The memory conception is reconstructed basing on his two early short stories. It is assumed that the «dispersed» memory of his works is revealed in the Self — Not-Self opposition and inherits the memory conception of the novel «Adolescent» by F. M. Dostoevskii.
Key words: V. S. Varshavskii, Russian Montparnasse, younger emigre, memory conception, protagonist, F. M. Dostoevskii, the novel “Adolescent”.
PEREVOD KAK INTERPRETACIYA («TRI SESTRY» A. P. CHEKHOVA NA ISPANSKOMYAZYKE)
This paper analyzes specificities of Chekhov’s “Three sisters” interpretation in a Spanish translation of E. Podgursky. It defines three meaningful levels of original text structure (level of intonation and syntax and level of notion) which successful interpretation can provide reconstruction of drama’s meaning and aesthetic impact by using a European language.
Key words: А. P. Chekhov, translation, interpretation, drama, Spain.